Inversions on the
Inversions are a fundamental concept in music theory that refer to the rearrangement of the notes in a chord. In a basic chord, the root note (the note that names the chord) is the lowest sounding note. However, in an inversion, one of the other notes in the chord is played as the lowest note. Inversions are used to create different voicings of the same chord, adding variety and depth to musical compositions. They can also smooth out chord progressions, making the transitions between chords sound more natural and fluid.
There are three main types of inversions for triads and four for seventh chords. There is also a third inversion, this is only applicable to seventh chords, where the seventh of the chord is the lowest note.
- Root Position: The root note is the lowest note. (1-3-5 for a triad, 1-3-5-7 for a seventh chord)
- First Inversion: The third is the lowest note. (3-5-1 for a triad, 3-5-7-1 for a seventh chord)
- Second Inversion: The fifth is the lowest note. (5-1-3 for a triad, 5-7-1-3 for a seventh chord)
- Third Inversion (only for seventh chords): The seventh is the lowest note. (7-1-3-5)
Here are some common examples of chord inversions, and how to play them on a banjo.
Explore the Eâ™ chord inversions
The root position of the Eâ™ triad chord in major scale:- The root (1) in the Eâ™ triad chord is Eâ™
- The third (3) in the Eâ™ triad chord is G
- The fifth (5) in the Eâ™ triad chord is Bâ™
- The seventh (7) in the Eâ™maj7 triad chord is D
- The first inversion (3-5-1) is called Eâ™/G, which has the notes G-Bâ™-Eâ™
- The second inversion (5-1-3) is called Eâ™/Bâ™, which has the notes Bâ™-Eâ™-G
- The third inversion (7-1-3-5) is called Eâ™maj7/D, which has the notes D-Eâ™-G-Bâ™
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Explore the Eâ™m chord inversions
The root position of the Eâ™m triad chord in major scale:- The root (1) in the Eâ™m triad chord is Eâ™
- The third (â™3) in the Eâ™m triad chord is Gâ™
- The fifth (5) in the Eâ™m triad chord is Bâ™
- The seventh (â™7) in the Eâ™m7 triad chord is Dâ™
- The first inversion (â™3-5-1) is called Eâ™m/Gâ™, which has the notes Gâ™-Bâ™-Eâ™
- The second inversion (5-1-â™3) is called Eâ™m/Bâ™, which has the notes Bâ™-Eâ™-Gâ™
- The third inversion (â™7-1-â™3-5) is called Eâ™m7/Dâ™, which has the notes Dâ™-Eâ™-Gâ™-Bâ™
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Explore the Eâ™aug chord inversions
The root position of the Eâ™aug triad chord in major scale:- The root (1) in the Eâ™aug triad chord is Eâ™
- The third (3) in the Eâ™aug triad chord is G
- The fifth (♯5) in the Eâ™aug triad chord is B
- The seventh (7) in the Eâ™aug maj7 triad chord is D
- The first inversion (3-♯5-1) is called Eâ™aug/G, which has the notes G-B-Eâ™
- The second inversion (♯5-1-3) is called Eâ™aug/B, which has the notes B-Eâ™-G
- The third inversion (7-1-3-♯5) is called Eâ™aug maj7/D, which has the notes D-Eâ™-G-B
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Explore the Eâ™dim chord inversions
The root position of the Eâ™dim triad chord in major scale:- The root (1) in the Eâ™dim triad chord is Eâ™
- The third (â™3) in the Eâ™dim triad chord is Gâ™
- The fifth (â™5) in the Eâ™dim triad chord is Bâ™â™
- The seventh (7) in the Eâ™dim7 triad chord is D
- The first inversion (â™3-â™5-1) is called Eâ™dim/Gâ™, which has the notes Gâ™-Bâ™â™-Eâ™
- The second inversion (â™5-1-â™3) is called Eâ™dim/Bâ™â™, which has the notes Bâ™â™-Eâ™-Gâ™
- The third inversion (7-1-â™3-â™5) is called Eâ™dim7/D, which has the notes D-Eâ™-Gâ™-Bâ™â™
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